VOM ungewiss AUS
Leonel Robles, Mexiko
(zwei Fragmente)
inne Ich halte in den Bildern.
Eine andere um die ich die Ähnlichkeit lose ab, die ich nicht verstehen errichte
und das Tagwerker.
Mein Vater sich aus den Dürres Lost Zweig in an attempt to replicate the
fear.
The trunk is now the idol of the story.
The power of trees is described by the four main arms.
One minute of self in every prayer, the barefoot Idol.
My father comes closer to his age and harden the landscape.
I can not avoid his gaze
and know he thinks of life.
My father is the son of Pan, long considered the symmetry of the
return
as if the dates the data, the tree of Figure
revealed to him, unexpectedly
would be in his hands the world of the ego, of You, of the We.
But he knows that a disastrous captivity a negation
rejection,
a penalty over his head
keep him in mind of others is.
I continue my journey, with a new prayer
in my hands.
I travel.
Watch the world before me, let
no branches behind my steps to
me to save up the false step on the way back.
My eyes go over with a light
so vague as just hanged.
I leave my archipelagos,
mask
my angels and I curse the Middle of the Night
since I have not said what would explain.
Man is not yet born,
he is only the air wing of their
Groove will move.
I am looking for, return to
am elemental phosphorus
-night of the birth of the night.
Outside I can speak from the other
of untouchables,
drive with split tracks
the distance between the shore and my beginning
immeasurably.
Blacker than the humidity is the light, but
in it is me, my fact,
is taking lighting is just about to cross the two edges
to come with me
anchored in a sail.
Leonel Robles, born in Sola de Vega, Oaxaca, 1964. Published stories, poetry and literary criticism
in the most prestigious magazines and newspapers
Mexico. Lyrikpreisträger der Fakultät für Politikwissenschaft der UNAM.
Gedichtbände: Exiles of age, benefit from light, Praise of
Bodies; Anthologie und He confessed crime of stories and poems.
In Vorbereitung: Temporary Paradise Gedichtband und der der Roman The
dilettante.
Sunday, April 8, 2007
Where To Purchase Katydids
Maria Angeles Juarez, Mexico
By Dr. Jesus Arenas Osuna
By the light of his eyes.
That delight of trills
provides the setting sun! Golden
footprint fall!
December at the margins of cold, gold and purple
declines to the horizon to reach the sea
mountain with liquid racket boys
the Kyrie Eleison from Mass in "Re" greater.
Across the road, the parish
half awake,
bronze bells tolling and light of a sentence.
At this time,
digress at the mercy of my senses,
cardinal bird in flight bat
taciturn love away. Boy
Capricorn
here I am thinking you
body and soul in my delirium,
owner of a destination to share with you only in dreams.
do not know why I feel overwhelmed when they hear
uncertainty avocado orchards far from my sight among the branches
thick bark of the anonymous Street,
desolate gloom bites round fruits imprecise moments
to fall. None
strange avenue named after a hero;
the continuing shadow flicker open trails rested
lilac
lead me to be part of a symposium irremediable
yesterdays requiring absences felt like death. Boy
Capricorn:
If divine wisdom, return to life one day
innumerable light, without transgression
time my voice from an old progeny
ask your men will accompany me, in this house planted
of ferns
dream where the hours do not correspond
the ticking of the universe,
and lived on the expiry of the afternoon, excessive lethargy
in the mountains. Fall
traces its golden footprint in your eyes, and mine, melancholy diluted
no fixed meridian. Capricorn Boy
true to your omens
summon benevolence, in the twilight arid
follow the trail wandering of my dreams;
two women in white clouds
bode
accompany you and let me in territories inhabited
of time without Adelaide
time where my daughter,
is the painful history of my blood.
YESTERDAY Colloquium, Téllez María Ángeles Juárez.
(Rancho El Meson Michoacán. Sci.
December of 2004)
Téllez María Ángeles Juárez was born in Michoacan,
studied English Literature at the Faculty of Arts of the UNAM. From 1984 to 1986 he was collaborating with the storyteller
Mexican Juan de la Cabada. In 1989 he coordinated the workshop
Introduction to Literary Research and Composition
Casa de la Cultura "La Quinta Colorada." Among his publications is
Ariadna calligraphy and poems under the sunflowers. In 2003, the UNAM
lit the publication of Things I Left in the distance / Memories of Juan de la Cabada
.
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